NOTE:It seems that iOS dislikes most audio files. I have replaced the audio file with one coded in .MP3, so let me know if there are still issues on your platform of choice.
Happy Sunday evening (or Monday morning) to you all.
Quite possibly against my best interests considering that I am coming out a bit with a truly frightening prospect for anyone who knows: a full song recording that I’ve been working on with some bloke I know named Michael singing. He’s not the best singer out there, but hopefully his contribution to this composition was at least serviceable.
As you know, when time permits, I’ve been working on trying to work on getting a few music snippets out that play with a modified 80s-era post-punk sound influenced primarily by early Cure and Joy Division, with hints of all of the other bands from that era to more modern bands like The Eden House and Kælan Mikla. More than just playing around with sound, I felt I should finally commit to making a full song.
One of the things I like to do to break up the creative cycle is to noodle around with music. As some of you may recall, I’ve played music in several different genres on a number of different instruments — bass, keys, guitar, 12-string guitar, mandola, drums/percussion (short-lived at the throne), and generally anything that comes my way (tabletops, trash percussion, violin bow on electric bass, vocal experimentation, etc.).
Below is the product of my noodling around last night.
Here’s another of my stumble-on bands while listening to music discovery nominally inspired by a resurgence of 1980’s-era post punk and bands like Kælan Mikla, Mochat Doma, as in addition to older bands such as Dead Can Dance.
Another criteria for inclusion is a preference for bands that use a language other than English for their songs, although that is not an absolute requirement. I am more interested in discovering music that I would not have otherwise encountered save for going where the labyrinth leads me.
If you want to listen to other bands that I’ve found, you can follow my YouTube station (all ad revenue goes to the evil overlords, not me), or hit play in the embed at the bottom of this post.
I did not expect it to take me to Аметистовые Вены (translation: Amethyst Veins), a Russian band (specifically, from Naberezhnye Chelny) that popped up in my feed.
Аметистовые Вены, photo used under fair use principles; all copyrights are retained by the original holder.(more…)
Listening to some of the post-punk/darkwave/synthwave music I’ve been listening to these past few weeks has inspired me not only to pick up the bass once again, but to get back to playing around with some songwriting and DAW recording as well. [DAW = digital audio workshop, a home studio option for the modern era].
As I was discussing this direction in comments with Chris, I began to think that it might be interesting to at least some of you to share with folks the general thought process and progression of how some of us — or at least I do — get about to writing music.
When I first saw the the Berlin-based band on the upcoming playlist, “Pink Turns Blue”, I almost outright dismissed them. The name evoked for me a sound other than what I thought I was looking for because it reminded me of the song “Pink Turns to Blue” on Hüsker Dü’s 1984 seminal album, Zen Arcade. I figured that if a band had intentionally named themselves after a hardcore band from my youth, they would probably play hardcore punk as well, which is not the music I was looking to discover at this time. If the name shared an accidental (or esoteric) relationship, it still seemed like an odd name to choose for darkwave. But, following my commitment to discovery via music “radio” I gave them a whirl anyway, figuring that I could skip the song part way through if it turned out not to be the genre I was looking for.
I’m glad I didn’t instant-skip.
Pink Turns Blue; Photo: Daniela Vorndran, CC BY-SA 4.0, via Wikimedia Commons
How I have never managed to hear of Pink Turns Blue is a bit surprising to me. I’ve found plenty of indie bands over the years that were not easy discoveries to be made back in the 80s and 90s. A German band playing a darkwave, guitar-based sound during my old-school goth days falling off my radar? That seems almost criminal.
The band was formed in 1985 and, yes folks, they named themselves after that aforementioned song (which I’ve included on my YouTube playlist for this series, if you are curious). The song that I heard first heard was “Your Master is Calling”, but it is one of those songs from the 80s that, while it caught my attention, also followed the habit common to the period of overstaying its welcome at over seven minutes, so I elected to share a different song that still captures the vibes of the band but is of a shorter duration.
This is not like the synth-oriented sounds of the genre, but has more of a 3-piece sound: guitar, bass and drums. Some people would likely class the band as more gothic or more straight indie rock, but I can heard some of the precursor sounds in the band’s songs that feel very borrowed from earlier acts like Joy Division while avoiding some of the more Velvet Underground sound of Sisters of Mercy.
If you listen, you’ll have to let me know what you think of this discovery in the comments below.
