Okay, YouTube has been at me for weeks to watch these guys (gals?), so I finally caved and watched the video.

These folks are off the deep end of the spectrum. Not the most experimental I’ve ever heard for music, because it is still recognizable a rock-adjacent in sound. They do some neat tricks with loops and effects on top of a microtonal guitar/bass combo with polyrhythm drums. The whole, adjusting knobs on the effects with bare feet is an interesting trick.

And they’ve cultivated their “weird vibe” very precisely between the phallic masks and eye-melting pattern clash. They also, apparently, have their own language for interviews for which their manager “translates”.

Looks fun. And they appear talented (from what I can hear, but there is an emphasis on disruption and subversion, so I might not be hearing it quite right).

But.

For me, it started to sound clever but samey after a point. More gimmick than hook, if you know what I mean.

I jumped to a song above, but feel free to start and the beginning. Give me your read on this. Is microtonal (other notes than the Western chromatic scale) the future? Do you think they’ll be around in three years? Or just a flash in the pan?

Seriously, though, they make Zappa sound relatively grounded. Makes me long for Diamanda Galás and her Steak Knives experimental (opera-trained) vocal/screaming routine, honestly. Wait. Maybe don’t listen to that link. It may give you reason to judge me.

Meh.

Curious if you think they are good, bad or if you’re indifferent to the whole thing. Drop me a note.