Tag: original music

  • Experiments in Stereo Pt 2

    Picture of an audio soundboard
    Photo by Anthony Roberts on Unsplash

    Good evening all. I wanted to circle back on this to give people incentive to play along with me and experiment with songwriting. While there were two Brave and Hearty Souls who joined in on my little bit of play last week, I would really like to give others an opportunity to jump in and show the world they lyrical writing chops.

    The idea was to give you a rough idea of the sound and see what you might come up with if you were the lyricist for a band without actually having heard the song. In this case, I asked folks to think like Andrew Eldritch from Sisters of Mercy, bored in some dark nightclub wishing you hadn’t used up all of your amphetamine while the night was so young. He had a some new catchy lyrics that he wanted to write, but no music to write them to. Well, maybe it was not exactly that, but you get the idea…

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  • Experiments in stereo

    Picture of an audio soundboard
    Photo by Anthony Roberts on Unsplash

    I am curious; there’s an idea that might be interesting to pursue. I’m not sure it is a good idea to pursue, but it is definitely interesting.

    Are any of my readers interested in scratching that Sisters of Mercy (or similar musical act) fantasy and write some lyrics for a song in that flavor that I have already written save for the lyrics? The flavor is more “First and Last and Always” than “Driven Like the Snow“, for those of you familiar with the band, although it might have a touch of “Lucretia, My Reflection” to the sound as well. Bass and drums are a bit more on the Mission UK side of the equation than Doktor Avalanche. [If all of this means nothing to you, that’s okay! Think gloomy rock.]

    No need to sing them (unless you want to).

    Tentative working title: “Living With the Ghost of You” (open to modification, but a repetition of this line over the “chorus” section currently works in my head).

    I can modify the song structure somewhat to fit the lyrics if the right ones come my way. Or the other way around. I think (at the moment, anyway) that it might be more fun if participants didn’t hear the music they were writing lyrics for…

    If you want to see if I think what you write will work, drop it in the comments below. The basic (current) structure is:

    • verse
    • verse
    • chorus
    • verse
    • chorus
    • bridge
    • verse
    • chorus to fade

    All verses would probably fit with a 4-lines/verse structure. Or 2-lines/verse if the lines are longer. Bridge may be left instrumental, but let me know if you have injections that work (no “babybabybaby” stuff, though, puhleez).

    Any takers?

    I can’t promise it will work, but it would still be fun to see what y’all come up with. And who knows? I may ask for your permission to use it!