On a whim this morning, I decided to reeducate myself on the history of medieval troubadours and their songs/poetry of courtly love, fin’amor, and found myself more drawn to their female counterparts, the trobairitz, who trended away from the complex, flowery language of the troubadour (who wrote more in the trobar clus, closed, hermetic style; or trobar ric, technically complex style) and more into what is termed the trobar leu, the “light” or “easy” style, for which the trobairitz were known.
While I have vague recollections of the troubadour poetry from when I last read any around thirty years ago, I felt it was good time as any to refresh that memory in case I might see it differently after such a passage of time. Instead, I think, I found my more true interest in the trobairitz, as I don’t think the material I was reading at the time did much more than make a cursory mention of their works.
Their lyrical poetry may be more to my speed.
One of the lyrical works of Comtessa Beatriz de Dia, a trobairitz, follows. I thought it would of interest to some folks.