Author: michael raven

  • Sunny Day Parasol Co. — Case File #11: A Dress to Catch

    an episodic Vivian Locke noir

    Image generated by Gemini, with direction by Michael Raven

    This is a serialized story. Start with Case File #1 here.

    I carefully wrapped the impossible token back into the velvet and shoved it deep into my coat pocket. The brimstone receded, swallowed by the scent of old fryer grease.

    Leviathan’s Cross was the mark of the Meridian Club. They wouldn’t let a banged-up, worn-out gumshoe like me past the bouncers at the door of that upscale joint in a hundred years, let alone to the back room where I could suss out which of the fat cats was my likely Johnson and shake them down.

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  • Writing Hooks — 15mar26

    Photo by Patrick Fore on Unsplash

    As many of you are already aware, I have been trying to create and add more prose content to the site after a very lengthy hiatus away from the habit. What many of you may not know is that Sunny Day Parasol Co. was going back to when I first started trying to post long fiction online around 2000. I had a small site I named after my spoken word salon in the Belltown neighborhood of Seattle in the mid-90s, “Sweet Immolation” and, at the time, I envisioned fiction in the age of the internet being an episodic or serialized thing.

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  • casting runes — 14mar26

    algiz
    we thorn climb hands
    & sanguine weep
    ever sky we seek or
    follow tangleroot down
    to school ourselves to see

    A rune poem, based on an Elder Futhark rune selected at random.

    Today’s rune is algiz, which may mean either “elk” (there is some uncertainty if this is the case) or yew (Old Norse). It is associated with the Otherworld, protection/sanctuary, and with guardian spirits/fylgja. The unconscious mind is also sometimes associated with algiz.

    Please visit my Elder Futhark pages at sceadugenga.com for additional interpretations of the runes based on multiple references and personal reflection.

  • Sunny Day Parasol Co. — Case File #10: Brimstone

    an episodic Vivian Locke noir

    Image generated by Gemini, with direction by Michael Raven

    This is a serialized story. Start with Case File #1 here.

    The flat edge of my hook pick slid into the narrow crack. I braced my knee against the hull’s sickening rock, the whole procedure a grim reenactment of the dentist who’d torn a wisdom tooth from my jaw last year. The relief at the time, when it finally came, was probably the whiskey talking. It sure as hell hadn’t been in the dentist’s technique. My ribs ached for days afterward.

    The square panel popped loose with a wet, suctioned thwack, spitting out a blast of freezing, diesel-slicked air. It hit me in the face like a fistful of brass knuckles, carrying the rotten-egg stench of the river water sloshing just beneath the deck.

    I plunged my good right hand into the darkness, steeling myself for the shock of freezing bilge. My fingers didn’t find water; they found cold, dry iron.

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  • white kissed

    here at broken sea and
    skies storm slate
    i had a dream
    like that song and
    somebody loved me
    a phantasm gliding
    over calm water
    before the stones
    came tumbling down

    easy, these things
    under white kissed
    waves
  • casting runes — 13mar26

    fehu
    words are the most
    valued treasures i have
    so i scatter them like
    chaff on stonefield winds

    A poem prompted by a randomly selected Elder Futhark rune.

    Today’s rune is fehu, which has a core meaning of “cattle” or a more generalized “livestock”, which was a representation of personal wealth or earned prosperity. Sometimes luck played a role. Wealth and prosperity was valued, but was looked down upon when material accumulation appeared to be excessive, greedy, miserly or turned to hoarding, especially when those around you were lacking.

    Please visit my Elder Futhark pages at sceadugenga.com for additional interpretations of the runes based on multiple references and personal reflection.

  • Writing Hooks

    Some writing thoughts from a diseased mind before they drag me off-stage…

    Something I learned today: The “Vaudeville Hook” was not just a cartoon trope, but was used in real life. The “hook” (akin to a shepherds’ hook) used to pull off performers who had gone off the rails, were unpopular with the audience, or had overstayed their welcome. I had suspected that these were not a complete fantasy, having managed my own poetry “vaudeville” in the 90s and having occasion to wish for such a device to move things along for those very reasons.

    What I didn’t know was that the hooks were part of the stage equipment, used to pull back the stage curtains at the start of a performance. Huh.

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  • Sunny Day Parasol Co. — Case File #9: Slag Point Slip

    an episodic Vivian Locke noir

    Image generated by Gemini, with direction by Michael Raven

    This is a serialized story. Start with Case File #1 here.

    Stillwater Moorings was a cruel, dark joke. The water in this part of The Choke was a chemical soup, a shipyard graveyard littered with rusted hulls and skeletal docks. The air hung thick with the metallic miasma of decay and industrial waste—the signature scent of a forgotten port.

    I tracked Boyle to the end of Pier 4. His office was a miserable shack of grimy, corrugated tin that rattled in the cold breeze. Inside, the gloom was barely pierced by the sickly yellow flicker of a sputtering kerosene heater. Boyle himself, a heavy man with a slump, wasn’t counting money; he was hunched over a crumpled racing form, poring over the odds with the grim focus of a man searching for one final win.

    He didn’t look up when I kicked the door shut behind me.

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  • only grey heron

    the rope mooring 
    frayed in the four
    twisting against
    the tugging flow
    until it broke
    some time ago
    my skiff following
    as the river goes
    only grey heron
    speaking in silence
    to be heard
  • all demolition

    leave me on empty
    at least i know there
    might be a tank yet to fill
    in this broke down
    wreck of car

    forget forget, we're
    all demolition here