• Towards the Within — There Must Be So Much More

    When I first saw the the Berlin-based band on the upcoming playlist, “Pink Turns Blue”, I almost outright dismissed them. The name evoked for me a sound other than what I thought I was looking for because it reminded me of the song “Pink Turns to Blue” on Hüsker Dü’s 1984 seminal album, Zen Arcade. I figured that if a band had intentionally named themselves after a hardcore band from my youth, they would probably play hardcore punk as well, which is not the music I was looking to discover at this time. If the name shared an accidental (or esoteric) relationship, it still seemed like an odd name to choose for darkwave. But, following my commitment to discovery via music “radio” I gave them a whirl anyway, figuring that I could skip the song part way through if it turned out not to be the genre I was looking for.

    I’m glad I didn’t instant-skip.

    Pink Turns Blue photo
    Pink Turns Blue; Photo: Daniela Vorndran, CC BY-SA 4.0, via Wikimedia Commons

    How I have never managed to hear of Pink Turns Blue is a bit surprising to me. I’ve found plenty of indie bands over the years that were not easy discoveries to be made back in the 80s and 90s. A German band playing a darkwave, guitar-based sound during my old-school goth days falling off my radar? That seems almost criminal.

    The band was formed in 1985 and, yes folks, they named themselves after that aforementioned song (which I’ve included on my YouTube playlist for this series, if you are curious). The song that I heard first heard was “Your Master is Calling”, but it is one of those songs from the 80s that, while it caught my attention, also followed the habit common to the period of overstaying its welcome at over seven minutes, so I elected to share a different song that still captures the vibes of the band but is of a shorter duration.

    This is not like the synth-oriented sounds of the genre, but has more of a 3-piece sound: guitar, bass and drums. Some people would likely class the band as more gothic or more straight indie rock, but I can heard some of the precursor sounds in the band’s songs that feel very borrowed from earlier acts like Joy Division while avoiding some of the more Velvet Underground sound of Sisters of Mercy.

    If you listen, you’ll have to let me know what you think of this discovery in the comments below.


  • returns

    muscle memory returns, slow 
    fingertips shredded to ribbons
    a smile on my face


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    returns

  • we stone

    a path in the middle of a dark forest
    Photo by Wes Hicks on Unsplash
    here we stone
    under her sun
    & feverwarm

    here we loam
    ruddy that leaf &
    deadwood

    here we stone

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    we stone

  • Brief and bass lives

    Bass and electric guitar
    Photo by Juan Montana on Unsplash

    I have been doing that dangerous thing called thinking and it revolves around getting back into making music again after a long spell away. All of this listening to postpunk/darkwave/synthwave/coldwave has gotten my brain tick-tocking (with the occasional disturbing click) and I very tempted to go out and buy myself a new, not piece-of-shite, bass guitar, lay out some drum machine tracks and go to town on writing a couple of new songs in that vein.

    Although I don’t know how many folks remember the Neddies (Ned’s Atomic Dustbin), but the thing that made them interesting is that they used two (2) bass guitars for much of their music. While I’m not looking for that Midlands 90s sound, I think it would be fun to steer things in the direction of old school postpunk with double bass guitars, one playing rhythm and the other playing the melody (think ol’ Hooky, especially with New Order where he played the melody while Bernie or Gillian sequenced the rhythm bass).

    I’m just realizing that the above two paragraphs might be complete nonsense to the uninitiated. But think! Think! How cool that might sound as long as you got the sound punchy enough so that both bass lines didn’t end up in the mud!

    Now plotting how to add a “good enough” electric bass to my collection of instruments…


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    Brief and bass lives

  • blind eyes close

    Image of a writing journal and a pencil.
    Photo by Dariusz Sankowski on Unsplash
    gazing hand & shadow
    this bone, this muscle
    untouchable & tiring
    skinstained with night
    painted to stars myrkr
    heavy, they anchor
    a heart sent to slumber
    under wood & gloaming
    a kiss to blind eyes close

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    blind eyes close