it is unkindness
painted a dark blade
they deliver blindside
a haunted wondering
of what was left
unsaid in the
somespace beside
as black warmth
clings cooling
after the flesh
Tag: experimentation
after the flesh
Using AI
I recently updated my mobile phone and part of the package included a free year of Google’s Gemini Pro. I’ve been using more AI assistance at my workplace to help my research efficiency and improve my work throughput, and thought I would take advantage of the advanced Gemini access to do the same for my own personal research.
(more…)songlets in 120 minutes — 22nov25
Photo by Anthony Roberts on Unsplash I decided that I needed something to shake up things a bit, some incentive so I didn’t keep dithering around when I was creating music. I often catch myself playing around and never actually writing anything while I was horsing, so I said to myself: “Self, you need to have some motivation to do more than press buttons and listen to sounds.”
“Oh no, what are we going to do now, Boss?”
(more…)sEEthIng — a songlet
As I mentioned yesterday, I was needing to get out of my writer head, who wants nothing at all to do with writing (for whatever reason). So I have.
I had previous mentioned my intentions of buying virtual synth and maybe upgrading to the subscription model for my DAW. Then I read the fine print: that subscription price on the DAW was only good for a year, and then the price would double. Great deal at the half-off price, terrible at the standard price.
Well, the last thing I want to do is lock myself out of my own music when I decide to no longer subscribe, so I opted out of that plan and redirected those earmarked funds to the second virtual synth I had my eyes on, thereby saving myself some money in the process.
Michael… This is awfully boring, let me skip ahead to your demo song already
(more…)Blue Monday
Photo by Anthony Roberts on Unsplash One of the things I have been considering is futzing about with music again. Like creative writing in my previous post, that also has a well that dries up, especially as I don’t usually have collaborators to bounce ideas off anymore. And my tooling around is more for the purposes of learning new recording, engineering and playing techniques than it is for performance. Much like publishing my writing, I am more interested in the joy of creation than I am in the idea fame or profit.
[Trigger Warning: Musician-speak ahead and I don’t explain the terms I am using. Enter at your own risk.]
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